COLLECTION NAME:
SHIMMER
mediaCollectionId
SHU~3~3
SHIMMER
Collection
true
Title:
Tudor Square Mosaics
title
Tudor Square Mosaics
Title
false
Creation Date:
1991
creation_date
1991
Creation Date
false
Image Date:
2010
image_date
2010
Image Date
false
Period:
21st century
period
21st century
Period
false
Location:
Sheffield, South Yorkshire
location
Sheffield, South Yorkshire
Location
false
Country:
ENGLAND, UK
country
ENGLAND, UK
Country
false
Material:
marble
material
marble
Material
false
Display Creator:
DISLEY, Sue
display_creator
DISLEY, Sue
Display Creator
false
Image ID:
10-1733
image_id
10-1733
Image ID
false
Description:
View of newly re-laid mosaics looking towards Norfolk Street. Originally they were spread across the square between the Norfolk Street entrance and the Lyceum Theatre. The mosaics are composed of marble tesserae set into metal frames which are laid into the paving of the square. They vary in size and shape. The marks are unreadable, treated more like brush strokes which suggest movement and direction. In their original configurations the marks indicated areas of focus to give a sense of the site to the pedestrian. X-shaped marks indicated the Ruskin Gallery, the Crucible and the Lyceum Theatres. A collection of lines in front of the Lyceum were placed to indicate a potential performance area. This original meaning has been lost. Commission: Sheffield City Council, funded by the J.G.Garves Charitable Trust. Most of the original artworks and landscape design of the 1991 Tudor Square development were removed when the space was re-designed (2009-2010). The only artworks retained were these paving mosaics by Sue Mason (now Sue DISLEY), which were were re-sited close together near the door to the Crucible Studio, and the Boulsover Monument by Richard PERRY. Comment: Written on the creation of the original Square as an artwork in 1991: "Tudor Square is a recent invention. It had been an unfocused open space, oddly left between buildings of civic pride and purpose. The space had long been used as a car park. Creation of a square was undertaken when the city took stock of its image prior to the World Student Games in 1991. It was conceived as an arts square. This focus was sensible as the space opened up on all sides to buildings where performances, exhibitions, entertainment took place. The restoration of the Lyceum Theatre was already under consideration. Tudor Square is not a square in the sense of it being an open space of that shape. It is actually a grassed oval which, on a sloping site, creates a flat stage for performances, for displays, for strolling round. The oval is bound by a low stone wall upon which a very intricately placed sequence of marks are carved. Paul Mason, Lead Artist for the project, has said that what was "fundamental to all the practices (in the area) was communication" and that "mark making was fundamental to communication". This became the aesthetic for the square. Marks by which man communicates are found not only on the wall, but form the basis of the design for the tree grilles and railings also in the square. Into the pavement Sue Mason has also set a number of fluid marks. These mosaics were to help orientation in the square. At the Graves Gallery end, a bronze memorial to Thomas Boulsover was placed. Lastly, though invisible from the square, a stairwell of stained glass was commissioned for the Lyceum. "A plaque on the Central Library building in the square directs attention to Tudor Square's distinctiveness. 'The stone wall, mosaics, railings and tree grilles celebrate early signs and symbols of communication amongst people. From such marks all cultures developed different alphabets and languages.' It is interesting that the dynamics of the site are indicated by extraordinarily subtle work. Because the mosaics keep the natural colours of the quarried marble, the pale beauty of the individual tesserae is difficult to see. They are indeed, as the artist describes, "little elements set in a larger area". " Text taken from 'Going Public' by Dr Elizabeth Norman, 1995.
description
View of newly re-laid mosaics looking towards Norfolk Street. Originally they were spread across the square between the Norfolk Street entrance and the Lyceum Theatre. The mosaics are composed of marble tesserae set into metal frames which are laid into the paving of the square. They vary in size and shape. The marks are unreadable, treated more like brush strokes which suggest movement and direction. In their original configurations the marks indicated areas of focus to give a sense of the site to the pedestrian. X-shaped marks indicated the Ruskin Gallery, the Crucible and the Lyceum Theatres. A collection of lines in front of the Lyceum were placed to indicate a potential performance area. This original meaning has been lost. Commission: Sheffield City Council, funded by the J.G.Garves Charitable Trust. Most of the original artworks and landscape design of the 1991 Tudor Square development were removed when the space was re-designed (2009-2010). The only artworks retained were these paving mosaics by Sue Mason (now Sue DISLEY), which were were re-sited close together near the door to the Crucible Studio, and the Boulsover Monument by Richard PERRY. Comment: Written on the creation of the original Square as an artwork in 1991: "Tudor Square is a recent invention. It had been an unfocused open space, oddly left between buildings of civic pride and purpose. The space had long been used as a car park. Creation of a square was undertaken when the city took stock of its image prior to the World Student Games in 1991. It was conceived as an arts square. This focus was sensible as the space opened up on all sides to buildings where performances, exhibitions, entertainment took place. The restoration of the Lyceum Theatre was already under consideration. Tudor Square is not a square in the sense of it being an open space of that shape. It is actually a grassed oval which, on a sloping site, creates a flat stage for performances, for displays, for strolling round. The oval is bound by a low stone wall upon which a very intricately placed sequence of marks are carved. Paul Mason, Lead Artist for the project, has said that what was "fundamental to all the practices (in the area) was communication" and that "mark making was fundamental to communication". This became the aesthetic for the square. Marks by which man communicates are found not only on the wall, but form the basis of the design for the tree grilles and railings also in the square. Into the pavement Sue Mason has also set a number of fluid marks. These mosaics were to help orientation in the square. At the Graves Gallery end, a bronze memorial to Thomas Boulsover was placed. Lastly, though invisible from the square, a stairwell of stained glass was commissioned for the Lyceum. "A plaque on the Central Library building in the square directs attention to Tudor Square's distinctiveness. 'The stone wall, mosaics, railings and tree grilles celebrate early signs and symbols of communication amongst people. From such marks all cultures developed different alphabets and languages.' It is interesting that the dynamics of the site are indicated by extraordinarily subtle work. Because the mosaics keep the natural colours of the quarried marble, the pale beauty of the individual tesserae is difficult to see. They are indeed, as the artist describes, "little elements set in a larger area". " Text taken from 'Going Public' by Dr Elizabeth Norman, 1995.
Description
false
Rights:
© Sheffield Hallam University
rights
© Sheffield Hallam University
Rights
false
Permissions:
For educational use only. This image may be used in print or digital materials provided that full acknowledgment is given, expressed as follows: " © < insert details from the 'Rights' field >. Photographed by < insert details from the 'Photographed by' field >."
permissions
For educational use only. This image may be used in print or digital materials provided that full acknowledgment is given, expressed as follows: " © < insert details from the 'Rights' field >. Photographed by < insert details from the 'Photographed by' field >."
Permissions
false
Related Information:
Public art in Sheffield. For more information see < http://public-art.s… >.
related_information
Public art in Sheffield. For more information see < http://public-art.shu.ac.uk/sheffield/ >.
Related Information
false
Photographed by:
Dave Ball
photographed_by
Dave Ball
Photographed by
false
Creator:
DISLEY, Sue
creator
DISLEY, Sue
Creator
false
Creator Role:
Artist.
creator_role
Artist.
Creator Role
false
Culture Gender:
Female.
culture_gender
Female.
Culture Gender
false
Nationality:
British.
nationality
British.
Nationality
false
Subject Heading:
Urban renewal -- England -- Sheffield
subject_heading
Urban renewal -- England -- Sheffield
Subject Heading
false
Subject Heading:
City squares -- England -- Sheffield
subject_heading
City squares -- England -- Sheffield
Subject Heading
false
Subject Heading:
Landscape design -- England -- Sheffield
subject_heading
Landscape design -- England -- Sheffield
Subject Heading
false
Subject Heading:
Mosaics
subject_heading
Mosaics
Subject Heading
false
Subject Heading:
Signs and symbols
subject_heading
Signs and symbols
Subject Heading
false