COLLECTION NAME:
SHIMMER
mediaCollectionId
SHU~3~3
SHIMMER
Collection
true
Title:
Thomas Boulsover Monument
title
Thomas Boulsover Monument
Title
false
Creation Date:
1991
creation_date
1991
Creation Date
false
Image Date:
2010
image_date
2010
Image Date
false
Period:
20th century ; 21st century
period
20th century ; 21st century
Period
false
Location:
Sheffield, South Yorkshire
location
Sheffield, South Yorkshire
Location
false
Country:
ENGLAND, UK
country
ENGLAND, UK
Country
false
Display Creator:
PERRY, Richard
display_creator
PERRY, Richard
Display Creator
false
Image ID:
10-1724
image_id
10-1724
Image ID
false
Description:
Detail: the convex side of the monument. Location: On a plinth set close to the Surrey Street/ Tudor Square corner of the City Library. Description: The profile portrait is taken from the only known likeness of Boulsover. The portrait commemorates Boulsover and the nearby site of his workshop, where he invented the Sheffield Plate Process. Inscription: Bronze plaque attached to plinth: THOMAS / BOULSOVER / 1705-1788 / Inventor of / Old Sheffield Plate / Thomas Boulsover made the / chance discovery of / the fusion of copper and / silver on this site in 1743. / This invention created a thriving industry and / helped Sheffield prosper. Commission: Sheffield City Council, funded by J.G. Graves Charitable Trust. Comment: The likeness is both convex and concave, which neatly refers to the plating process. Some artistic licence was taken with the portrait as the only extant image is not very clear. Exterior detail: planters and seating after completion of the 2009-2010 redevelopment of Tudor Square. The space has been completely redesigned with its main thoroughfare down the middle of the square and with seating on the sides. As such it connects the Winter Gardens and the Crucible in a direct line. This increased space can also be given over to media marquees at the time of the World Snooker Championships, which The Crucible hosts every year. TUDOR SQUARE: Many of the original artworks and landscape design of the 1991 Tudor Square development were removed when the space was re-designed. The only artworks retained were the paving mosaics by Sue Mason (now Sue DISLEY), which were were re-sited close together near the door to the Crucible Studio, and the Boulsover Monument by Richard PERRY. The following comment on the original (1991) creation of Tudor Square, as an artwork funded by the J.G. Graves Trust, is taken from 'Going Public' by Dr Elizabeth Norman, 1995: "Tudor Square is a recent invention. It had been an unfocused open space, oddly left between buildings of civic pride and purpose. The space had long been used as a car park. Creation of a square was undertaken when the city took stock of its image prior to the World Student Games in 1991. It was conceived as an arts square. This focus was sensible as the space opened up on all sides to buildings where performances, exhibitions, entertainment took place. The restoration of the Lyceum Theatre was already under consideration. Tudor Square is not a square in the sense of it being an open space of that shape. It is actually a grassed oval which, on a sloping site, creates a flat stage for performances, for displays, for strolling round. The oval is bound by a low stone wall upon which a very intricately placed sequence of marks are carved. Paul Mason, Lead Artist for the project, has said that what was "fundamental to all the practices (in the area) was communication" and that "mark making was fundamental to communication". This became the aesthetic for the square. Marks by which man communicates are found not only on the wall, but form the basis of the design for the tree grilles and railings also in the square. Into the pavement Sue Mason has also set a number of fluid marks. These mosaics were to help orientation in the square. At the Graves Gallery end, a bronze memorial to Thomas Boulsover was placed. Lastly, though invisible from the square, a stairwell of stained glass was commissioned for the Lyceum. "A plaque on the Central Library building in the square directs attention to Tudor Square's distinctiveness. 'The stone wall, mosaics, railings and tree grilles celebrate early signs and symbols of communication amongst people. From such marks all cultures developed different alphabets and languages.' "
description
Detail: the convex side of the monument. Location: On a plinth set close to the Surrey Street/ Tudor Square corner of the City Library. Description: The profile portrait is taken from the only known likeness of Boulsover. The portrait commemorates Boulsover and the nearby site of his workshop, where he invented the Sheffield Plate Process. Inscription: Bronze plaque attached to plinth: THOMAS / BOULSOVER / 1705-1788 / Inventor of / Old Sheffield Plate / Thomas Boulsover made the / chance discovery of / the fusion of copper and / silver on this site in 1743. / This invention created a thriving industry and / helped Sheffield prosper. Commission: Sheffield City Council, funded by J.G. Graves Charitable Trust. Comment: The likeness is both convex and concave, which neatly refers to the plating process. Some artistic licence was taken with the portrait as the only extant image is not very clear. Exterior detail: planters and seating after completion of the 2009-2010 redevelopment of Tudor Square. The space has been completely redesigned with its main thoroughfare down the middle of the square and with seating on the sides. As such it connects the Winter Gardens and the Crucible in a direct line. This increased space can also be given over to media marquees at the time of the World Snooker Championships, which The Crucible hosts every year. TUDOR SQUARE: Many of the original artworks and landscape design of the 1991 Tudor Square development were removed when the space was re-designed. The only artworks retained were the paving mosaics by Sue Mason (now Sue DISLEY), which were were re-sited close together near the door to the Crucible Studio, and the Boulsover Monument by Richard PERRY. The following comment on the original (1991) creation of Tudor Square, as an artwork funded by the J.G. Graves Trust, is taken from 'Going Public' by Dr Elizabeth Norman, 1995: "Tudor Square is a recent invention. It had been an unfocused open space, oddly left between buildings of civic pride and purpose. The space had long been used as a car park. Creation of a square was undertaken when the city took stock of its image prior to the World Student Games in 1991. It was conceived as an arts square. This focus was sensible as the space opened up on all sides to buildings where performances, exhibitions, entertainment took place. The restoration of the Lyceum Theatre was already under consideration. Tudor Square is not a square in the sense of it being an open space of that shape. It is actually a grassed oval which, on a sloping site, creates a flat stage for performances, for displays, for strolling round. The oval is bound by a low stone wall upon which a very intricately placed sequence of marks are carved. Paul Mason, Lead Artist for the project, has said that what was "fundamental to all the practices (in the area) was communication" and that "mark making was fundamental to communication". This became the aesthetic for the square. Marks by which man communicates are found not only on the wall, but form the basis of the design for the tree grilles and railings also in the square. Into the pavement Sue Mason has also set a number of fluid marks. These mosaics were to help orientation in the square. At the Graves Gallery end, a bronze memorial to Thomas Boulsover was placed. Lastly, though invisible from the square, a stairwell of stained glass was commissioned for the Lyceum. "A plaque on the Central Library building in the square directs attention to Tudor Square's distinctiveness. 'The stone wall, mosaics, railings and tree grilles celebrate early signs and symbols of communication amongst people. From such marks all cultures developed different alphabets and languages.' "
Description
false
Rights:
© Sheffield Hallam University
rights
© Sheffield Hallam University
Rights
false
Permissions:
For educational use only. This image may be used in print or digital materials provided that full acknowledgment is given, expressed as follows: " © < insert details from the 'Rights' field >. Photographed by < insert details from the 'Photographed by' field >."
permissions
For educational use only. This image may be used in print or digital materials provided that full acknowledgment is given, expressed as follows: " © < insert details from the 'Rights' field >. Photographed by < insert details from the 'Photographed by' field >."
Permissions
false
Photographed by:
Dave Ball
photographed_by
Dave Ball
Photographed by
false
Creator:
PERRY, Richard
creator
PERRY, Richard
Creator
false
Creator Role:
Sculptor.
creator_role
Sculptor.
Creator Role
false
Culture Gender:
Male.
culture_gender
Male.
Culture Gender
false
Nationality:
British.
nationality
British.
Nationality
false
Subject Heading:
City squares -- England -- Sheffield
subject_heading
City squares -- England -- Sheffield
Subject Heading
false
Subject Heading:
Public art -- England -- Sheffield
subject_heading
Public art -- England -- Sheffield
Subject Heading
false
Subject Heading:
Monuments -- England -- Sheffield
subject_heading
Monuments -- England -- Sheffield
Subject Heading
false
Subject Heading:
Sculpture, British -- 1900-2000
subject_heading
Sculpture, British -- 1900-2000
Subject Heading
false
Subject Heading:
Bronze sculpture
subject_heading
Bronze sculpture
Subject Heading
false
Subject Heading:
Boulsover, Thomas, 1705-1788
subject_heading
Boulsover, Thomas, 1705-1788
Subject Heading
false
Subject Heading:
Portrait sculpture
subject_heading
Portrait sculpture
Subject Heading
false